Mizzonk's Me and My Quiet Thoughts, a concrete sculpture with text exploring self-worth through inner dialogues of self-doubt, aspiration, and self-recognition.
Text on the concrete slabs of Mizzonk's Me and My Quiet Thoughts, highlighting the journey from self-doubt to self-recognition and acceptance.

Me and my Quiet Thoughts

Me and My Quiet Thoughts is a text-based concrete sculpture that explores the internal dialogues shaping our sense of self-worth. Across three large slabs, shifting narratives of uncertainty, aspiration, and self-recognition mirror the fluidity of identity and the ongoing search for connection.

The leftmost slab embodies self-doubt, casting insecurities in concrete as a reminder that inner struggles are as real and persistent as external ones. Beneath, an emotional plea surfaces.

The central slab highlights traits valued by society, yet uncertainty still lingers. The rightmost slab shifts toward self-recognition, not as a claim of superiority, but as an acknowledgment of inherent worth. The final statement reinforces this belief in our intrinsic value.

Wan-Yi’s process of self-inquiry anchors the work, reflecting a journey from insecurity to self-recognition. The laborious casting process—from laser-cut text to concrete—mirrors the slow, cumulative formation of beliefs. Change in perception is gradual, shaped over time through repeated self-talk.

Concrete represents permanence, yet expresses impermanence. The text is fixed in stone, yet constantly influenced by light, weather, and time—reminding us that thought, like everything else, is fluid and evolving.

Me and My Quiet Thoughts reflects the ongoing dialogue of self-awareness. When we embrace our complexities with compassion, we allow ourselves to recognize the same in others.

Debuting in 2016 at the La Conner Sculpture Exhibition in WA, USA, the sculpture remained on view until Spring 2019. It was then exhibited as part of the ArtsAlive outdoor sculpture exhibition in Oak Bay, BC, from Spring 2019 to Spring 2020, where it won third place in the People’s Choice Award.

Size: 40" x 103" x 32" H
Materials: Concrete, hardware, and steel

Mizzonk's Me and My Quiet Thoughts installed as a public art in La Connor in WA USA. The conrete sculpture explores the evolving nature of thought and perception through concrete text, intending to nurture compassion in public spaces.
Close-up of the leftmost slab in Mizzonk's Me and My Quiet Thoughts, featuring text expressing self-doubt and the enduring nature of inner struggles.
Mizzonk’s Me and My Quiet Thoughts, where each concrete slab presents a unique internal dialogue, inviting reflection on personal growth and self-awareness.
Snowfall gently covering Mizzonk's Me and My Quiet Thoughts, emphasizing the transient nature of both weather and inner thought processes.
Rightmost slab of Mizzonk's Me and My Quiet Thoughts, where affirmations of self-recognition and inherent worth are cast in concrete.
Wide view of Mizzonk's Me and My Quiet Thoughts cast in sunlight, a large-scale sculpture exploring the evolving nature of thought and perception through concrete text.
View of Me and My Quiet Thoughts sculpture by Mizzonk, where three concrete slabs illustrate the fluidity of identity and the search for connection
Concrete slabs of Mizzonk's Me and My Quiet Thoughts, depicting the slow formation of inner beliefs through the labor-intensive casting process.
Mizzonk's Me and My Quiet Thought work in progress photo- rubber mold making.
Mizzonk's Me And My Quiet Thoughts work in progress photo of casting concrete.
Mizzonk duo artists Wan-Yi Lin and Roger Chen working on Me and My Quiet Thoughts's concrete casting in their studio.
Mizzonk's Me And My Quiet Thoughts concrete sculpture released from rubber mold.
mizzonk artist Roger Chen welds metal frame supporting concrete sculpture Me and My Quiet Thoughts.
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